Flag by John Agard: GCSE


Flag by John Agard

Torn flag by ENTREPRENEUR
Pre-Reading: Ways into the poem
·      Find out about colonialism and independence of Caribbean islands in the 1960s
·      Research John Agard and his other poetry
·      Research countries where the flag has changed for a particular reason e.g. South Africa

Language

Repetition of ‘it’s just a piece of cloth’ – the word ‘piece’ implies that it is part of a whole, not complete on its own. However, the content of the poem shows that people take the flag as important on its own, without looking at the bigger picture. The fragment becomes the whole culture/ country.

‘fluttering’, ‘unfurling’, ‘rising’, ‘flying’ – verbs about the flag are in the air, transcendent, ephemeral, dominant.
‘knees’, ‘guts’, ‘blood’ – nouns about people emphasise their mortality
‘nation’, ‘men’ – collective nouns show that flags have power over large groups of people not just individuals. It presents people as groups who are ruled by a nationalistic message, rather than as individuals with the capacity to make the right decisions.

Imagery - ‘rising over a tent’ – medieval times of war – makes the reader remember that war (and the nationalistic use of flags) has gone on throughout history - ‘flying across the field’ – reminds the reader that war is often about land ownership

‘blood you bleed’ – alliteration slows the pace down and makes the reader think of bleeding out and the pulse of a human slowing down to death

The tone of voice of the narrator is one of scorn – nationalism encourages people to give up their lives for nothing and doesn’t respect the sacrifice of the individual

Repetition of word ‘just’ tries to diminish the importance of the flag, suggesting that nationalism should not have the power that it does. Final stanza ‘Just ask for a flag’ shows that if we desire nationalism without really thinking about it, our consciences are dead and we no longer have any morality.

Form

This poem takes the form of a dialogue between two people – someone who is experienced and cynical about the world and someone who is more naïve. Teacher and student? Someone with experience of war and one without?

Sophisticated rhyme scheme: This rhyming pattern has a jarring effect on the reader. This echoes the meaning of the poem – sometimes people fully sign up to the meaning of a flag, other times, people question it.
·      Stanza 1 – full rhyme lines 1 and 3 ‘breeze’, ‘knees’ - confident
·      Stanza 2 – rhyming assonance of ‘pole’, ‘bold’ - unsure
·      Stanza 3 – full rhyme of ‘tent’, ‘relent’ - confident
·      Stanza 4 – half rhyme – ‘field’ and ‘bleed’ – unsure
·      Stanza 5 – rhyming couple of last two lines ‘friend’ and ‘end’ give definite and strong ending

Structure

It is presented in five stanzas of three lines each (tercets). Each tercet follows the same structure of a question from one person and an answer from another. This answer has the same beginning (each line 2) and a different ending (each line 3), apart from the fifth tercet which is a frustrated response bursting out of the previously established structure.

The genuine question about the flag from the naïve person begins each stanza. It is answered by a cynical, bitter answer from the more wordly, experienced person. In the final stanza, the naïve question ‘how can I possess such a cloth?’ shows that they have learnt nothing from the wiser person, despite their questions. They still want a flag, despite having heard about the serious dangers that a flag will bring.

Context
 John Agard was born in 1949 in Guyana, Caribbean. He was resident in that country when it became independent in 1966. He then moved to the UK. Much of his work is interested in the effects of nationalism and colonialism.

Revision questions for Flag:

1. Why do you think John Agard wanted to write 'Flag'?
2. How does Agard use structure to help communicate his message more forcefully?
3. Discuss Agard's feelings about nationalism and individuality, referring to imagery used in the poem.





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